Tuol Sleng recalled
I nabbed a few pictures from the documentary film Die Angkar last night (shown at Meta House) as it was taking a close look at the newly-opened Tuol Sleng Genocide Museum in 1980. It panned through the rooms at the prison, displayed hundreds of individual mug-shots as well as interviews with some of the seven surviving prisoners that had come forward at that time. The Tuol Sleng 7 have now been added to as more research has revealed a handful of other survivors, but the film footage showing a raw and unsanitized version of Tuol Sleng - which visitors don't see today - was a remarkable record of its time. The survivors were kept alive only because they possessed a skill that was useful to the prison authorities and for a very youthful Vann Nath, it was his talent as a painter that kept him alive.
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