Legacy film shows

Em Theay adjusts the headdress of her principal student Sok Chea

This week Meta House is screening a selection of rare documentaries that deal with Cambodia's troubled past, it's legacy of the last 40 years. I will be presenting two films on Thursday of this week (28th May) and two more on Friday night, both screenings begin at 7pm at Meta House, next to Wat Botum on Street 264. If you haven't seen The Tenth Dancer then you must come on Thursday. It is a extraordinary film shot in 1993 that tells the story of the re-emergence of classical Khmer court dance in the wake of the Khmer Rouge's attempts to annihilate the country's cultural heritage. Told through interviews with the incredible Em Theay and her principal dancer Sok Chea, it is a wonderful time-capsule of the early 90s and a tribute to a true icon of Cambodian culture, Em Theay. The recent benefit screening of The Tenth Dancer at Bophana was dedicated to her after a house fire destroyed her family's possessions including a tattered song and dance book that she managed to keep hidden throughout the Khmer Rouge regime. You will see how much that book meant to her in the film. I saw Em Theay out of the corner of my eye at the Bophana screening and she wept as she watched that segment of the film. If that doesn't get to you, nothing will. To meet the lady in person is to be absorbed by her spirited personality and natural grace and zest for life and dance. The film by Sally Ingleton is a wonderful tribute to her and her fellow dancers and teachers. Visit the website of The Tenth Dancer to find out more about this incredible story of survival. The second screening on Thursday will be the dreamlike Samsara: Death & Rebirth in Cambodia, produced in 1989 by Ellen Bruno, documenting the struggle of Cambodians to rebuild a shattered society, interspersed with ancient prophecies and folklore.

The opening sequence of The Tenth Dancer with Em Theay and Sok Chea at the Royal Palace

Em Theay proudly shows some of the books she kept hidden during Pol Pot time

Em Theay and her principal dancer Sok Chea

Samsara: Death & Rebirth in Cambodia

May's Meta highlights

Well, for starters I will be hosting a couple of documentary nights at Meta House later next month, so I recommend you get along to both of those evenings. As part of Legacy Week, on Thursday 28th at 7pm, I am really pleased to present a double-bill of The Tenth Dancer and Samsara. These documentaries are from 1993 and 1989 respectively and are a time capsule of how Cambodia had survived the Khmer Rouge period and almost ten years of Vietnamese control. I'd asked Sally Ingleton for a copy of The Tenth Dancer before I heard about Em Theay's sad loss when her house burned down last month, so this showing will be particularly poignant. The following evening, Friday 29th, in 'Never Before Shown In Cambodia,' I will have two documentaries to screen, Isabelle Abric's 1993 Fear & Hope In Cambodia which chronicles Cambodia's recent history, and Anne Henderson's 1998 film The Road from Kampuchea, telling the story of the courageous Tun Channareth, co-recipient of the Nobel Peace Prize in 1997.
Meta House, on Street 264 in Phnom Penh, will also be screening Site 2 by Rithy Panh on the 30th, and earlier that week, on the 27th, a double-bill of John Pilger's The Betrayal and Tom Fawthrop's Dreams & Nightmares, both documentaries from 1989 and exposing the West's support of Pol Pot. It's a packed month to be honest, with the We Want You To Know! film - with scenes of the KR period recreated by villagers on Sunday 10th - and lots of other interesting films on show, as well as the usual exhibitions and a Pride 09 film festival that focuses on the LGBT community in Cambodia. Link: Meta House.

Postman's bag

Hey, wait a minute Mr Postman... where's the DVD of The Tenth Dancer that director Sally Ingleton has sent to me? Sally was kind enough to agree to her film being shown at Meta House sometime soon, in a double-bill with Ellen Bruno's Samsara. Ellen's 30-minute film, shot in 1989 and documenting the struggle of Cambodians to rebuild a shattered society, interspersed with ancient prophecies and which glides along at a dreamlike pace, has already arrived. The Tenth Dancer, which Sally produced in 1993 and which tells the story of the revival of classical dance in Cambodia through the lives of Em Theay and Sok Chea, has yet to turn up. Come on Mr Postman, don't let me down, especially as the recent events in Em Theay's life demand that this wonderful documentary gets another airing to a brand new audience. Both films opened a window into Cambodia for me when I was living in the UK without access to any other footage, and as such have remained in my consciousness ever since.
I've also been sent two other DVDs in the last week. Sleepwalking Through The Mekong is released on DVD on the 14th of this month and they've sent a copy, together with a CD of the film's music, to review in the next couple of days. Also winging its way to me yesterday was Michael R Morris' 85-minute 2006 independent feature film, Last Seen At Angkor. Morris stars in his own low-budget thriller set in Cambodia. More when I've had a chance to watch it.