Sunday, November 30, 2008
32 Sothearos Boulevard
Silence from the minnows
The competition has been spilt into two groups. Cambodia are in Group A where the games will be played in Jakarta and they will kick-off the tournament against the current holders and favourites Singapore next Friday (5th Dec). Singapore themselves, coached by Serb Raddy Avramovic, have just finished their domestic S-League championships so are in the same boat as Cambodia, but their squad is far more experienced in international competition and are tipped to win the Suzuki Cup for a third consecutive time. Cambodia will meet co-hosts Indonesia in their second game on the 7th, and then finish their group matches against Myanmar on the 9th. In the Thailand-hosted Group B, which has been switched to Phuket as the airport problems in Bangkok escalate, the host country managed by Brit Peter Reid will face Laos, Vietnam and Malaysia. The semi-finals will be played from 16-21 December and the two-legged final on 24 and 28 December. In all honesty Cambodia are not expected to progress or even get a point from their group matches. Their experience at this level of competition is virtually non-existent and with their obvious weaknesses in defence, and with so little time to put it right, I'm hopeful the coach will get his team playing an all-out offensive gameplan. The matches will be televised, so even if the English-language newspapers remain silent, you should be able to watch the games on tv here in Asia. Come on Cambodia!
Final engagement
Statesman Son Soubert
Saturday, November 29, 2008
The legendary Ieng Sithul
Labels: Ieng Sithul
Bruno and his maps
New acquaintances
The reason for visiting the National Library was to witness the donation of a copy of his inspiring memoir, Golden Bones to the head librarian at the Bibliotheque, Khlot Vibolla by former Ambassador Sichan Siv, in the city for a couple of days before heading back out to the United States. Accompanied by his wife Martha and a host of high-ranking government officials, Sichan presented the book to the library recalling his days spent in its hallowed halls and has a dedication in his book, taken from the library walls. I was shown around the library with Martha by Khlot, who took great pride in her collections and it was great to see so many youngsters in the reading room taking advantage of the library's extensive bookshelves, which were decimated by the Khmer Rouge and the halls used as a pigsty. As soon as this event finished I jumped on a moto and headed over to the Chenla Theatre for my night rubbing shoulders with the stars!
Friday, November 28, 2008
The Elephants are celebrating
Labels: Ieng Sithul, Where Elephants Weep
Where Andy weeps
Update (12 noon): I'm not crying as much now. Just had call from WEW and they can get me some cheap tickets for Saturday 6th. Not the seats I booked and I'll be with the riff-raff (only kiddin') but at least I should get to see the opera afterall. Well done WEW for coming through with a compromise after you made the booking error, and therefore the compromise is all mine! But as my mum used to say, beggars can't be choosers. She was full of useless quotes like that. Her all-time favourite was 'never trouble trouble, til trouble troubles you' - whatever that means. She is long departed from this planet, but not forgotten, her quotes live on.
Further update (2pm): I've stopped crying and am now smiling. Someone just called and offered me a ticket for tonight's VIP Premiere, free of charge, as long as I accompany their wife. I agreed without hesitation. A free show, lovely female company and I get to see it on opening night. The day could not have turned out better. I should moan more often!
Labels: Where Elephants Weep
Just another week
Thursday, November 27, 2008
Students get message of hope
Letters to the editor
Here's the letter as printed in the PPP:
More national sport coverage, please
Dear Editor,
To say I am disappointed with the local football coverage provided by the Post is an understatement. [On Tuesday] I read a back-page article on homeless football, a full-page article no less, about five teenagers! Good luck to them, I say, but at the weekend the final matches of the professional Cambodia Premier League were played and new champions crowned with absolutely no mention at all in the Post.
There is too much coverage of international sport and almost zero coverage of national sport, especially football, which is so immensely popular in Cambodia. Very soon, the national team will take part in the AFF Suzuki Cup in Indonesia, but so far no articles about the build-up to this competition have appeared at all.
I think the Post needs to urgently review its sporting priorities to ensure a good mix of national and international stories, without an emphasis on the latter.
Andy Brouwer, Phnom Penh
Or click this link.
One more look
Wednesday, November 26, 2008
Book launch minus author
The adorable Srey Mao
No time to fart
Then I attended a meeting at GTZ to discuss the results of a recent FAM trip to Sambor Prei Kuk and to look at ways in which the community-based tourism project there can move forwards. GTZ are currently helping them out but won't be in place forever so the community have to get their act together, both now and in the future. They have a real good product in the pre-Angkor temples of Sambor Prei Kuk, but getting a robust community-project off the ground isn't easy here in Cambodia. GTZ then treated us to lunch at a nearby eatery.
This afternoon, I was at the British Embassy trying to get through the legal paperwork for a passport for a friend's new-born baby. It's like pulling-teeth, the paperwork is typically bureaucratic and every i needs to be dotted and every t crossed, in triplicate. It was already my 2nd visit to the Embassy on the same mission. I ended up having to go and locate the baby in question and take photos of her against a white background. Not an easy task to keep a two-month old baby still whilst lying on a large white t-shirt! I may have to try again tomorrow as my initial efforts were crap.
In an hour I will be off to Monument Books for the book launch of Denise Heywood's gorgeous coffee-table book Cambodian Dance, which is going ahead without Denise, but at least we'll have some classical dance performers strutting their stuff alongwith some refreshments. In a double-header, I will have to miss Gillian Green's book launch at Reyum on Cambodian textiles, which to be honest is a bit too specialist even for an avid book fiend like me.
To give me some peace of mind, here's a sunset - I adore sunsets - from my recent trip to Sihanoukville, taken from Independence Beach.
Tuesday, November 25, 2008
Lack of sports coverage
I whipped a letter off to them earlier today and their chief subeditor responded in double-quick time. He lamented the lack of a dedicated sports editor (they are searching for one as I type) and agreed that more coverage of local sport is needed, adding that he sincerely hoped for an improvement in the near future. I wholeheartedly agree. The PPP is an important source of news in Cambodia, but that must include the cream of the local and national sport if it is to realise its claim as Cambodia's Newspaper of Record.
Man of vision
Thame charity founder awarded Beacon Prize - ThamesNews.Net, UK
Dr Peter Carey has been awarded the Beacon Prize for Leadership for his work in co-founding the Cambodia Trust and leading its expansion across Cambodia into Timor Leste, Sri Lanka and Indonesia, making a positive impact on the lives of over 30,000 landmine survivors and other disadvantaged disabled people. The prize was awarded at a ceremony in London on November 18, 2008. Peter is just one of six recipients of the 2008 Beacon Prize and joins the ranks of previous Beacon winners such as Sir Bob Geldof, Jamie Oliver and environmentalist Zac Goldsmith, who have all been recognised for their charitable work through what has become known as the 'Nobel Prize of the charity world', a phrase first coined by Prime Minister Gordon Brown.
The Cambodia Trust has developed rehabilitation services for disadvantaged disabled people in four developing countries and trained local staff to run these services in the long-term. Peter helped to found the Cambodian School of Prosthetics and Orthotics (CSPO), where students from Cambodia and other developing countries are trained to internationally-recognised standards to prescribe and fit prosthetic limbs and orthopaedic braces, which are essential for the rehabilitation of people affected by landmines, polio, leprosy and other conditions. Peter has a strong commitment to ensuring that his projects are sustainable and so has placed great emphasis on working in partnership with local government and NGOs. The aim is to build local capacity so that projects can eventually be handed over to local, trained management.
Under Peter's leadership: 122 students have graduated from CSPO, including enough Cambodians to staff all the rehabilitation centres in Cambodia. Around 30,500 limbs and braces are being fitted by CSPO graduates annually, enabling thousands of landmine survivors and other disabled people to gain self-sufficiency. Over 80% of children receiving rehabilitation at the Trust's rehabilitation centres go on to start school once their mobility is improved; over 230 disabled children receive the support they need to attend school every year; around 150 disabled adults a year are assisted to start vocational training or on-the-job training, with 80% accessing work thereafter; 612 adults have received start-up support to establish small businesses; 9 former CSPO students have graduated with Bachelor's degrees, enabling a phasing out of expatriate staff at CSPO as Cambodians qualify as lecturers and leaders.
CSPO has also trained prosthetists from Afghanistan, Democratic Peoples Republic of Korea, Timor Leste, Georgia, Indonesia, Iraq, Japan, Kiribati, Lao PDR, Malaysia, Burma, Nepal, Pakistan, Papua New Guinea, the Philippines and Sri Lanka. Martyn Lewis, former Chairman of Beacon, who hosted Tuesday's Prize Ceremony, said: "The impact of Peter's work is truly outstanding, not only because of the sheer numbers of landmine victims and disabled people who have received assistance, but also because of the local capacity he has built through training up professionals and working closely with local people."
Speaking just ahead of the ceremony, Peter said: "I am delighted to win a Beacon Prize and I sincerely hope that it will focus attention what can be a forgotten problem – the physical disabilities that landmine survivors can be left with. A great deal can be done for them and lives can be rebuilt but this requires international support and resources." As well as receiving his award, Peter was inaugurated as a Beacon Fellow, a community of Beacon Prize winners who together champion charitable causes across the globe and nurture a wider culture of giving in the UK.
Below is a blog post on the Cambodia Trust's website from Peter Carey, which explains a bit more:
The Cambodia Trust will soon be celebrating its twentieth birthday. So much has happened in that time yet it still seems just yesterday when when the three Trust co-founders - former diplomat John Pedler, peace facilitator Stan Windass and myself as oddball Oxford historian with a life-long involvement in Southeast Asia - were sitting around the fire in Stan Windass’s house in Adderbury plotting an humanitarian initiative in Cambodia. Just three ordinary people with a determination to do something for one of the most beautiful but tragic countries in the world.
What could such a group do to address such a pressing need as that posed by Cambodia’s landmine victims, the initiative requested of us by Cambodian Prime Minister Hun Sen? The first donations, which came from the public response to our appeal in The Independent Magazine of 3 August 1990 by generous-hearted people like yourselves, enabled us to get started. Like the widow’s mite the £90,000 contributed to that magazine appeal and the £25,000 offered by Clive Marks of the Lord Leigh and Ashdown trusts has multiplied mightily over the past two decades. Now the Trust is one of the world’s leaders in the provision of quality rehabilitation and international-standard teaching in the prosthetic-orthotic field. In Cambodia alone over 20,000 people have been rehabilitated in our clinics. Truly international and counting over 15 nationalities amongst its pupils - The Cambodian School of Prosthetics & Orthotics has prospered mightily inspiring our principal funder, the Nippon Foundation of Japan to support similar initiatives in Sri Lanka and Indonesia.
Here the hand of fate has pointed at me. After 42 years variously as student, graduate researcher and teaching fellow at Trinity College, I have resigned the safety of Oxford’s most beautiful college for a new life in Jakarta, a country which I last knew in the 1970s as a doctoral student and which is now much in the news given US President elect Barack Obama’s childhood when he was four years a junior high school student in Indonesia’s capital city. No longer an academic, I am now the Trust’s new Project Director in Indonesia for that vast (240 million population) and vibrant country’s first international school of prosthetics and orthotics.
This new school is being established under the auspices of the Indonesian Ministry of Health and is designed to become Indonesia’s premier teaching institution for health professionals in the disability field. One day, its graduates will staff the planned six provincial prosthetics and orthotics schools and may themselves train enough practitioners to address the needs of Indonesia’s estimated 2.5 million amputees. A daunting task for the Trust’s next twenty years and one which proves that all great enterprises come from the heart! Link: Cambodia Trust
Monday, November 24, 2008
Looking forward
Keep up to speed with the Championships at the Suzuki Cup's official website.
Cute kids
Sunday, November 23, 2008
Meet and greet
Don't forget the book event at Monument this coming Wednesday (26th) when Denise Heywood's gorgeous Cambodian Dance coffee-table book will get its official launch, in association with the publishers River Books. A display of traditional classical Cambodian dance will go hand in hand with free food and light refreshments, beginning at 6pm. On the same afternoon, the Reyum Gallery is hosting a book launch and exhibition with author Gillian Green and her latest publication, Pictorial Cambodian Textiles, a more specialist topic, at 4.30pm.
Au revoir
Saturday, November 22, 2008
Salute the champions
Mr Peepee
Friday, November 21, 2008
Kim's fresh crab
Where Elephants Eat
As for the opera, the public relations juggernaut that is backing the show has gone into overdrive and leaflets, posters, press releases, previews and just about everything else (I'm sure t-shirts, coffee mugs, logo-encrusted underwear, etc will be available soon) is flooding Phnom Penh as I type. It's sure to be a real spectacle as Cambodian and American music theater combines together to raise the bar of professional art performance with this ground-breaking show of a modern Khmer love story, merging local traditions with Western musical structures. I've booked my ticket, have you booked yours?
To experience it for yourself, here is the performance schedule:
World Premiere VIP Performance - 28 November 2008
6:00pm Champagne Arrival
6:30pm Performance
8:30-9:30pm Cocktail Reception
Tickets: GOLD Circle $250, SILVER Circle $150, BRONZE Circle $100
Gala Night Performance – 29 November 2008
6:30pm Performance
8:30-9:30pm Cocktail Reception
Tickets: Exclusive Seating $75, Premium Seating $50, General Seating $25
General Admissions Performances: 5, 6, 7 December 2008
6:30 Performance
Tickets: Exclusive Seating $12, Premium Seating $5, General Seating $2
The ticket reservation hotline is +855 (0) 23 220 424, 017 603 408. Or email at Info@whereelephantsweep.net. Their website is here.
Monument double-header
Thursday, November 20, 2008
Faded charm of Kep
City of ghosts
Wednesday, November 19, 2008
"Never give up hope"
I posted a Q&A with Sichan (right) by email in May 2007, almost a year before the memoir was published. Here's what he had to say:
Q. After 30 years in the US, do you think of yourself as Khmer or American? And how do you reconcile one alongside the other?
I am both. I am an ABC: American By Choice or American Born Cambodian! I feel privileged to be an American of Cambodian ancestry, enjoying the blessings of freedom and opportunities, and being able to maintain an ancient cultural heritage.
Q. What was the catalyst for your career at the White House and then at the UN?
I became interested in the US political process while watching TV coverage of the Democratic and Republican national conventions in the summer of 1976. From my involvement in refugee resettlement and the plight of Cambodia in the 70s and 80s, I became more familiar with how Washington works. In 1988, I volunteered for the Bush campaign to better understand presidential elections. The thought never crossed my mind that I would end up working for two Presidents of the United States.
Q. What has been the rationale and motives behind your successful career?
Adapt and be adopted! I had two dollars in my pocket when I arrived in America in 1976. I worked hard to adapt myself to America, so that America would adopt me. My mother told me when I was a child to “never give up hope, no matter what happens.” Hope kept me alive and helped me move forward in some of the most difficult circumstances.
Q. To be employed by 2 US Presidents is a rare achievement, but what would you consider as your proudest moment...and your greatest achievement?
At the White House, I was proudest when I said “On behalf of the President.” At the United Nations, when I walked in, my colleagues from 190 countries looked at me. Through me, they saw America. They saw its promise. They saw its opportunity. They wanted to hear what I had to say. When I uttered: “On behalf of the President and Government of the United States and the American people,” that was my proudest moment. My greatest achievement has been the ability to implement the President’s policies that help hundreds of millions of people around the world.
Q. Were you able to achieve anything working for the Administration that aided and supported Cambodia and the Khmer people?
My two presidential appointments, at the White House under President George Bush (41) and as an ambassador to the United Nations under President George W. Bush (43), had national and global scope. They were not to work on Cambodia. Yet, at the White House I was able to participate in the peace process that led to the 1991 Paris Accord and organize numerous briefings on Cambodia to maintain awareness and keep the issue front and center. At the UN, the United States has been the leader in all UN development, economic, and humanitarian programs. I am happy that the Khmer people have benefited from them.
Q. Briefly, what did your Ambassadorial role involve over the last 5 years?
The focus was from “cradle to coffin.” My responsibilities ranged from children, to health, HIV/AIDS, economic issues, food crises, humanitarian disasters, human rights, refugees, women, all the way to aging. The United States is the largest donor to all these programs and my office at the US Mission to the UN oversaw some 70% of the U.N. budget.
Q. Have you returned to Cambodia since leaving in the 70s?
I returned to Cambodia the first time in March 1992 while I was still at the White House. It was 16 years after my escape from the Khmer Rouge forced labor camps. It was quite an emotional trip. In 1994 I took my wife to visit. Since then, we have been to Cambodia on a regular basis. Each time, we enjoy staying longer and longer. I am also pleased to support Cambodian communities around the world.
Q. Can you encapsulate the flavour of your memoir to be published early next year?
GOLDEN BONES is a human story. It recounts my journey from humble beginnings in a sleepy village in Cambodia to the corridors of power in Washington, DC. It is about an extraordinary escape from hell in Cambodia; an American journey from apple orchards to the White House; a timeless and universal tale of love, dreams, hope, and freedom. This is the unique history of two lands: opposite sides of the earth; two cultures: ancient and modern; two nations: weak and strong; two societies: poor and rich. It is the true story of one mother’s love and sacrifice, of her son’s hope and struggle for survival, and his life between these different worlds.
Q. Finally, what does the future hold for Sichan Siv?
It is hard to predict the future. I will continue to connect, to share, and to inspire. Hopefully, “the best is yet to come!”
Sichan Siv is due to return to Phnom Penh this week. A book signing has been pencilled in at Monument Books on Norodom Boulevard in the capital for Saturday, 29 November at 6pm. If you can get along to listen and meet Sichan, I am sure you won't be disappointed.
Link: website.
At one with nature
Hectic night
After dinner at the Rising Sun with friends, Tim and I made our way to Meta House for a preview of the forthcoming Khmer rock opera, Where Elephants Weep. Producer John Burt gave an impassioned overview of the project whilst composer Him Sophy gave us his insight into this unique work that will kick-off at the Chenla Theatre on 28 November, with the public performances set for 5, 6 & 7 December with tickets costing $2-12. Members of the cast were present and two of the opera's musicians gave us a sample of what to expect. It certainly sounds like a performance that will be worth watching. For Tim and I the night extended onto some of the city's nightspots. I'm pleased to report that the medicine prescribed by my doctor at the weekend is having a positive effect on my skin infection and I look almost human again!
Tuesday, November 18, 2008
Twice captivated
Australian producer/director Sally Ingleton describes how she came across the inspirational story of The Tenth Dancer - Em Theay, one of the few members of Cambodia's Royal Court Ballet who survived the Pol Pot purges.
As a documentary filmmaker I am always on the lookout for an irresistable story. And what makes that story come alive is personality. In 1989 I was in Phnom Penh witnessing a performance of Cambodia's National Dance Company - formerly known as the Royal Ballet. The setting was exotic. By the banks of the Mekong River sat a large theatre with a pagoda shaped roof. On stage were over thirty georgous women dressed in velvet sequinned outfits who with graceful hand gestures and intricate eye movements were acting out one of the ancient storytelling traditions of the East. In the wings was a toothless elderly woman singing and clapping out a rhythm dictated to by the dancers steps. I sensed we would get to know each other and indeed we did.
She was 62 year old dance master Em Theay, one of only a handful of dancers to survive the brutal Pol Pot years. A remarkable woman, full of energy, compassion and humour. Almost single handed she had rebuilt the famous Royal Ballet. I was introduced to Em Theay and one her pupils Pen Sok Chea and that night they told me their history.
Em Theay grew up in the palace as her parents were servants for the king and queen. She learnt to dance from the age of six, finally joining the Royal Ballet in her late teens. She became a principal dancer in the 1950's and toured many countries accompanying the then young monarch, Prince Sihanouk. She was so keen to perform that often the palace wouldn't know she was pregnant until only a few weeks before she gave birth. With a wicked chuckle she confessed that she had had eighteen children! Eventually she became a teacher and one of her best pupils was the statuesque Pen Sok Chea. Their fairytale existence came to an abrupt halt in 1975 when Pol Pot marched into Phnom Penh and the story of the 'killing fields' began. Both Em Theay and Sok Chea were forcibly evacuated from their homes along with almost the entire population of Phnom Penh. For days they walked and walked into the countryside until they ended up in a work camp with thousands of others.
Em Theay took with her only a few belongings - a dance sarong, some incense and her treasured notebooks which contained the record of many important sacred songs and dances. She couldn't bear to part with them as they were the only memory of her former life, so she sewed them into a pillow case and hid them inside the walls of her hut. When soldiers came looking for paper for which to roll cigarettes with - often offering food in exchange - she kept silent. Not even the threat of starvation could make her part with her books. It was an act of courageous resistance, for to be recognised as one of the king's dancers was a death sentence. In order to conceal their identities both women lied to the Khmer Rouge. Em Theay pretended she had been a market seller and although Sok Chea didn't even know how to sew she claimed to be a seamstress, just willing herself to do it when the time came. At night Em Theay would light incense towards the wall of her hut and pray to her ancestors that one day she would return home to train the dancers once more.
Em Theay's wish came true. In 1979 after Pol Pot's army had fled into Thailand, she returned to Phnom Penh and began the task of putting the Royal Ballet back together. She sought out her former pupils and teachers only to discover that most had died. Those who remained were malnourished and after three years of hard labour, lacked the suppleness and grace so necessary for Cambodian traditional dance. Determined not to let the culture perish, Em Theay gathered the surviving dancers and then recruited friends and relatives to build up the numbers. Day by day she fed, pushed and prodded their bodies until gradually their flexibility and memory of the ancient dance movements returned. Her perserverence paid off. Today the National Dance Company of Cambodia has over sixty members and the Fine Arts School has more than three hundred students of traditional dance.
Now 40, Sok Chea finds her commitment to dance is much greater than when she studied as a young woman. In those days there were so many dancers whereas since Pol Pot the troupe has had to work extremely hard to rebuild itself and its repertoire. She acknowledges her debt to Em Theay. 'Under Pol Pot I lost some of my drive and talent. Since then, Em Theay's been like a mother to me, guiding and training me so that some of my spirit has returned'.
When the dinner was finished I knew within the personalities of these two women lay a compelling story - one which exemplified the resilience of the Cambodian people as well as the sensibility of the artist. I was determined to make a film about them and set about the arduous task of attracting finance. Two years ... and hundreds of phone calls, faxes and knocking on Executive Producer's doors later, the story was sold to both the BBC and ABC television with the rest of the budget coming from the Australian Film Finance Corporation and AIDAB.
Suddenly making the film became daunting. I couldn't speak Cambodian; a civil war with the unpredictable Khmer Rouge continued; and getting permissions from Cambodian authorities became like a Byzantine game of hide and seek. What sustained me through it all was the generosity and friendship of Em Theay and Sok Chea who allowed me to enter their life opening up the channels of communication to a universal language.
Sunday, November 16, 2008
Sterling on track
Pulse posters
The top poster is from a concert by Steel Pulse on 20 August 1982 at the Grand Circus Theatre in Detroit, USA. The bottom poster shows the band as support artists for Herbie Hancock on 22 September 1984.
To finish, below is a photo of the regular Steel Pulse band members around that time, though without Grizzly Nisbett or the two regular female singers, Donna Sterling and Sylvia Tella in the picture, it's hard to tell exactly when the photo was taken.
Revamped web presence
Feeling glum
Anyway, enough of my moaning and groaning. To cheer myself up I always visit Roy Hill's MySpace website to see if music's funniest (much of it is black humour) man has posted anything new. Hey presto, he has! Here it is and here's a link to Roy's excellent MySpace site.
Nov 11th: The curate's egg
Thank you to everyone who came to the Turks Head on Friday for a real curate's egg of a show. I may have to start preparing setlists that are actually setlists, but where's the fun in that? On to Boxford next - Nov 22nd - sadly the final date of a most enjoyable world tour. It's been a really hectic schedule - seven shows in seven months - and I deeply regret having taken only two pairs of socks. Highlights? The opportunity to meet some of the people who send me abusive emails, soaking up foreign culture, particularly East Horsley, bumping into the Dalai Lama in Homebase, Postsmouth, and walking unnoticed through Wigan disguised as a policewoman.
I really miss watching Roy in action. It's one of the few things I miss about dear old Blighty.
750 victims remembered
Saturday, November 15, 2008
Q & A with actress Sophea Pel
1. Can you describe your feelings when you watched the 1st public screening of Golden Voice?
When I saw the first screening of Golden Voice at CSULB (hosted by the Cambodian Student Society in Long Beach), I was overwhelmed with tears of happiness, seeing the result of our hard work, seeing how many people came to watch it, and very moved by the movie itself. [The premiere was on 28 October 2006 and was attended by over 400 people at California State University Long Beach].
2. What did you feel, portraying Cambodia's greatest ever-female star on screen?
I was very excited and at the same time felt pressure to do my best. It was a dream come true for me. And it still hasn’t hit me that I’m portraying a person whose voice I’ve adored and whose songs I always sing along to. I had no idea what RSS (Ros Sereysothea) was like as a person and I worried that I may not measure up because she is such an iconic figure. I felt proud that I had the opportunity to play my favorite female singer.
3. Let's start at the beginning - when and where were you born?
I was born in a village called Chnuorh, Battambang (it is now in Banteay Meanchey province), not far from Phnom Leap in December 1979.
4. Can you give me a few childhood memories of growing up in Cambodia?
I remember quite a few things:
a) playing in the rice field and as a result got bit by a leech. My dad had to come and remove it from my ankle.
b) My grandpa playing his favorite songs on the tape player. After years past, I still remember the songs when I hear them.
c) I remember seeing many people gather together for Khmer New Year and my family sneaking away from the crowd and into the jungle towards Thailand and the refugee camp.
d) Being at a mini celebration in the village and remembered this one particular song by a Khmer singer that I’d often sing when I was around 5 years old. My cousin told me of the time when I would sing that song to her in the village. When I went to Cambodia in 2006 she told me what the song was and it all came back. I still remembered the first line of the song, 20 years later - I guess that was my first interest in singing.
5. What special significance does Battambang hold for you and your family? [it was of course Sereysothea's birthplace too.]
It holds significance because I believe it’s the place where my mom and dad got displaced to after the Khmer Rouge. It’s where I was born, followed by the rest of my younger siblings. There was a lot of history of struggles to survive after being raised from the dead during the Pol Pot regime, much like everyone else in the country. Most of my parent’s friends and neighbors prior to 1986 still live in Chnuorh and having gone back in 2006, made me realize how fortunate I am.
6. When, why and how did your family move to America?
In 1986 my family left Battambang via the jungle/forest to Site 2 in Thailand with the advice of my uncle who resides in the USA. We settled in Site 2 until 1989, and then went to Chunburi, Thailand for almost another year until coming to California in 1990. My uncle and aunt from my dad's side sponsored my family to the US, not long before the refugee camp closed. We came to the US, I believe not just for a better future but also for our safety. Things were not going well in Battambang; men still went off to fight a battle that I’m unsure of.
7. Can you describe the difference, the culture shock if you like, of moving and living in the US?
As a kid to a new environment, things were definitely different. I was most fascinated with escalators at the airport and that there were different colors to people. I was in a cleaner environment where life seems more predictable and planned out; waking up at a certain time to go to school, eat at a certain time, etc. One of the challenges that I faced was the feeling of being lost; my communication was limited, learning to interact with other ethnic kids. I did not talk much in school because my English wasn’t good enough yet. It probably took me about a year to adapt with the encouragement of my dad’s family and the school system that placed me in ESL classes.
8. When did you begin to feel 'at home' in California?
I’m not quite sure but I would say some time in school. By then, I had a better understanding of what life in the US is about and more control of my own life. I started working in high school and I also started driving. When I started opening and socializing, I knew that I was comfortable with my surroundings, and therefore, felt like it was home.
9. How quickly did you learn to speak English?
I would say that it took me about a year to learn conversational English because my cousins' here didn’t speak much Khmer. I learned a lot of English and they learned a lot of Khmer from my siblings and I.
10.What was the catalyst for your singing career - when did it all start?
I don’t consider it as a singing career; to me it’s more of a hobby and once in awhile I get to show off my hobby on stage. The catalyst was after the filming of the Golden Voice. I found out about Dara Band through Narin Pot (who played Chenda in the film). She introduced me to the band members; after observations and thinking about it, I decided that I would join. There were previous bands that asked me to join too, but I didn’t want to, either because they were not right for me or it could be that the timing wasn’t right.
11. Tell me how your singing has progressed - a timeline if you like?
I think at the age of 4 or 5 in Cambodia, songs started to capture my attention. When my family went to the refugee camp in Thailand, we did not have access to music, but when I was about 9 years old I started to be exposed to Khmer music and I would sing along. At the age of 10 my family emigrated to Long Beach, California and ‘til then I would always sing along to any Khmer music that I got to listen to. At the age of about 16, I asked my mother to buy me a karaoke machine, which I practiced with a few times a week. Then in 1998 (at age 18), I joined a karaoke singing contest, winning first prize, with the highest score. In 2004, I entered into another contest in Long Beach and took another first. In summer of 2006 I joined the Dara Band, performing at weddings and parties once in a while.
12. Tell me about your current singing activities?
There are not much singing activities at this point because I have been busy with work and more involvement in a play. I’m helping out backstage and also a little onstage with the play “Song of Extinction”. I don’t have a speaking part, but I believe that the experience I gain will help me in the future.
13. You also study classical dance - tell me more about that?
In late 2005 I joined Khmer Arts Academy. There were a few dances that I learned and also performed in public with my group. Nowadays, I’m not very involved due to time commitments.
14. What other interests and hobbies do you have?
Nowadays, I try to make more time for drawing (mainly still life and realistic art). I also love to crochet; that is what I’m trying to do now. I also love photography. Besides those hobbies, I also play pool, pretty decently too.
15. What are your current musical preferences/favorites?
My music choice has always been Khmer oldies, especially that of Mrs. Ros Sereysothea. I love singing along with her beautiful voice. I love any romantic/sentimental English songs too.
16. How did you land the part of Ros Sereysothea in Golden Voice?
I heard about the casting for the film through a post made by Director Greg Cahill on Khmer.cc. I checked out the source and waited for a few days before emailing. By then, I saw the casting post on a Khmer newspaper called Khemara Times. That’s when I decided to email Greg. A few days after getting two scenes and two songs down, I went in for the audition. I was extremely nervous but hopeful at the audition. About a week after that, I received the call from Greg saying that I had got the part. That was one of the highlights for year 2006 for me.
17. How aware were you of her place in Khmer history?
I was aware that she was a great singer prior to the Khmer Rouge era and that she was murdered by Khmer Rouge. Other than that, I didn’t know much else because as we know, many records have been destroyed during the atrocities.
18. How did you find the experience of acting for the 1st time on camera?
The experience of acting on camera for the first time was new but I felt comfortable about it. Before I was used to doing things only once, but when it comes to film, I had to try to get used to repetitively filming the same scenes from different angles. The challenge that I overcame was trying to keep the emotions the same. The days of filming were long, but I knew that I had to always try my best to reap good results.
19. How different do you think acting in a full-length movie will be?
I think it will be a bit different, but I think my experience in the short film will help prepare me for the feature film. I know that there will be longer workdays and I that I will be put to the acting challenge of being exposed to new events in her life, new emotions, etc. I’m looking forward to the opportunity to show my ability.
20. What other experiences do you have on screen, television or stage?
I have been in a church Christmas play called Bethlehem A.D. playing the role of Virgin Mary. Recently I was a background person on the NBC show called Medium. Currently, I’m involved in a play called “Song of Extinction” by EM Lewis. For the next month and a half I will be playing a non-speaking role as a mother and helping with moving props on and off stage, at the Ford Theatre in Hollywood, CA.
21. Please tell me about your academic and working career?
I attended California State University, Long Beach. I have been working in Long Beach for almost 10 years as a computer technician.
22. Finally, what direction do you want your career to take?
As far as my acting career, I would love to be in more films (short or feature), plays, TV shows or simply background work and put my face out there. I would like to join the union and also get an agent soon. As for my working career, I hope to keep working and also doing more work in the film industry.
To view the movie's website, click here
Living Hell
Here's a taster
Home at last
Friday, November 14, 2008
Goodbye S'ville
Thursday, November 13, 2008
Ream away day
Wednesday, November 12, 2008
Not a happy bunny
Tuesday, November 11, 2008
On the road in Kampot
Friday, November 7, 2008
A bad influence
Thursday, November 6, 2008
Kingdom of Wonder branding
Cambodia - Kingdom of Wonder
Tender Loving Care
Wednesday, November 5, 2008
Dictatorships
Jayavarman 7th comes to life
Review: I eagerly awaited Geoff Ryman's novel, The King's Last Song, that links the glories of the Angkor dynasty of King Jayavarman VII with modern-day Cambodia, and I was richly rewarded. It's excellent. I particularly loved the passages that yielded such a vivid and atmospheric recreation of life in the court of the King during the twelfth century that I could almost taste it. Okay, much of it was from the author's own imagination, but I believed it. The book swirls around the life story of Jayarvarman VII written on gold leaves which are found and subsequently stolen. The hunt is on for their recovery and with it, we gain an insight into the Cambodia of today. This book sets a towering standard for new fiction writing on Cambodia that will be difficult to match, let alone exceed. I take my hat off to the author for a wonderful and evocative story that I found impossible to put down. I urge everyone with an interest in Cambodia to buy this book and then encourage your friends and family to do the same.
Q&A Interview: In the run-up to the book's release in March 2006, I asked Geoff Ryman to fill in some of the blanks about the book itself and his interest in the country.
You are widely known for your science fiction and fantasy books, so why a mainstream fictional novel about Cambodia, and what was the catalyst for the book? "I've certainly written and won awards for my SF novels, but they're only about half my work. The most successful novel was 253, about 253 Londoners on a train. It crashes. But mostly the passengers just sit. Was, a historical novel, used The Wizard of Oz as a way into different eras of American history and different kinds of American childhoods, from the 1870s to 1989. In particular about half the book was set in Kansas in the 1870s. The catalyst. Well my first successful fantasy novella, The Unconquered Country was a phatasmagoria around Cambodia. I'd seen a photograph in Look magazine in the States which showed a Cambodian woman in hospital next her soldier husband, not realising he was dead. The image just wouldn't go away, it haunted me for years, especially during and just after the Pol Pot era, when it would have been difficult to travel. Unconquered Country finally came out in 1985. In 2002 I was invited by friends to stay at the Australian archaelogical dig at Siem Reap. I was very lucky and got a tour from the dig director Roland Fletcher of all the monuments in the order they were built, which was an overwhelming introduction to the history. I came back and immediately started to write the Jayavarman sequences. But there was a lot of expense, research, travel and reading to be done. I went back to Cambodia 4 times in two years, the last trip funded by the Author's Foundation. On my second trip, meeting so many Cambodians during the research inspired the modern plot and the whole modern half of the book took off from there."
How close are your ties to Cambodia today? "Gosh, the ties should be closer. While there the last time I tried to help set up a writing workshop. I also recorded and got broadcast on Resonance FM a ninety-minute piece about arts in Cambodia. But a lot of pretty severe changes in my personal life have just got in the way of getting back enough...my mom in California is very ill, etc."
Can you give a brief precis of The King's Last Song? "The made up bit of the story is that Jayavarman VII's son has dictated to him his father's personal memoir. It is written on gold leaves to avoid decay and insects, but during the pro Hindu revolt, the book is buried to preserve it from destruction. We do know from a fragmentar inscription translated by Saveros Pou that texts were ordered to be written on gold. Indeed, the person commanding the writing did have the title Jayavarman, but....so there is some justification for this conceit. In 2004, the fictional memoir is accidentally discovered again. There is widespread concern that such a treasure, containing Jayavarman's words, is not stolen. Unfortunately, it is stolen at gunpoint, and the general and the dig director protecting it are taken hostage. The modern story concerns the efforts of two modern Cambodians to get the book and the Professor back. Map is a Patrimony Policeman with too many bad memories of the wars. Veasna, a motoboy in his 20s helps him... without being aware that during the Pol Pot era, Map killed his parents. This relationship is mirrored by that of the Professor, a Frenchman called Luc Andrade, and his kidnapper, en ex-Khmer Rouge cadre. By the end of the novel, both of them are working together to translate the Sanskrit of the original into modern Khmer. Intercut with the efforts to get the book back and to translate it are flashbacks to 1960, 1967 and in one long section to do with Map, 1988 and 89. About half the book is idylls of the King, sections of Jayavarman's life from age six up to the consecration of Preah Khan in 1191. It is also interspersed with sections from the fictional memoir. Some poetic license is needed to get the story to flow, and there is still a lot we don't understand about J.VII's life. So I've had to make up/fill in gaps against a considerable amount of disagreement among scholars as to when he might have been born, what his relationship was with the Chams, etc. So the book is a kind of a collage around Cambodian themes. One thing it does not have is a chapter set in the Khmer Rouge era. That time has been more than adequately covered by people who lived through it." For more, click here.
A 12th century portrait of Jayavarman VII at the Guimet Museum in Paris
More smiling
Tuesday, November 4, 2008
Madness
The legendary Jet
Are they for real?
Tuesday, 4 November 2008: A life-changing dip in the Mekong
Monday, November 3, 2008
Denise's Celebration of Dance
And finally...from Sambor
Meta tips
A tip for anyone who isn't aware of its existence. The AsiaLIFE Phnom Penh guide is an absolute must-get magazine produced at the start of each month and focuses on the month ahead. It's a gorgeously produced, full-colour mag, over 100 pages and it's free. It concentrates on forthcoming entertainment and cultural events, food and drink but be quick, once it hits the streets, it disappears like lightning. The front cover of the mag in May contained a photo of my favourite waitress at the Thai restaurant of Bai Thong. Good choice Ed.
Finally, I've just heard that 4 concerts will take place in Cambodia this month and next, as part of a campaign against human trafficking by the music television giant MTV. The highlight will be a 7 December gig by The Click Five and other bands at Angkor Wat, with other shows at Ochheuteal Beach in Sihanoukville and in Kompong Cham, and a 12 December wrap-up concert at the Olympic Stadium in Phnom Penh, to coincide with Cambodia's National Day to Combat Human Trafficking. Rock on for a good cause.
Sunday, November 2, 2008
Temple styles
Saturday, November 1, 2008
Pulse on Obama
"After nearly two years of a grueling and ugly campaign, Senator Barack Obama of Illinois has proved that he is the right choice to be the 44th president of the United States of America. Steel Pulse believes him to be a person of integrity, intelligence and genuine goodwill. We take him at his word that he wants to move the nation and humanity beyond its religious and racial divides and that he wants to lead the United States to that company of nations committed to human rights. We are confident that the senator will cast his net widely in search of men and women of diverse, open-minded views and of superior intellectual qualities to assist him in the wide range of responsibilities that he must superintend. According to David Hinds, founder and band leader, “Barack Obama is the Bob Marley of politics. Just like Bob used his music to unite mankind, I believe that Senator Obama will utilize his policies to make the world a much more harmonious place. Bless !! ”. “We couldn’t be more excited,” said Selwyn Brown, another founding member of the band. This endorsement may be of little note or consequence, except perhaps that it comes from an unlikely source: namely, a Rastafarian Reggae Band. Nevertheless, it is important to be said publicly in a public forum in order that it is understood. It is not arrived at without careful thought and some difficulty. No doubt some of our friends will see this as a matter of intellectual treachery. We regret that, and We respect their disagreement. But they will readily agree that as Africans, we are first human. As private citizens, we must voice our concerns for the well-being of our nation without partisanship when decisions that have been made endanger the body politic."
The song, 4 minutes 12 seconds, was penned by David Hinds, Selwyn Brown and Sidney Mills and was released just a few days before the presidential election which is scheduled for Tuesday 4 November. As a Brit I have absolutely no interest in the election whatsoever, other than who has his finger on the red button, but at least the song is nice and catchy!
Online advice
The second celebration is the annual Independence Day parade on Sunday 9 November. It'll celebrate Cambodia's 54 anniversary of independence from those pesky French and the parade will last from 7am in front of the Royal Palace, up to the Independence Monument and then back to the riverfront. The authorities are expecting 100,000 people to take part in the celebrations, many more than usual. More gridlock. Oh and by the way Cambodia has a new British Ambassador, he's Andrew Mace and he's a mere youngster, in his mid-30s I believe. Makes me feel kinda old. Interestingly, 569 British nationals are registered as living in Cambodia, including me. To see the online FOC advice, click here.